![]() By observing the waveform, we know that in V-Log plus DR Boost mode, the highlight clipping point of the GH6 is around 88% IRE value, which is a crucial reference indicator. The general idea is to modify the official LUT based on GH6 characteristics. ![]() There are two materials for making the false color LUT, the first is the official Panasonic V-Log to V709 LUT, and the second is the LutCalc conversion tool developed by Ben Turley. So the LUT has only targeted the V-Log plus DR Boost mode. Otherwise, its dynamic range is even slightly worse than the old GH5. Since the GH6 uses a dual gain output sensor (DGO) that provides additional 1.5 stops of dynamic range, I believe most professional creators will use the V-Log plus Dynamic Range Boost mode. Fortunately, we can load a false color LUT in the V-Log View Assists menu to achieve this feature that only some higher-end cinema cameras have. However, in more complex scenes, you may need false color to work faster because you can see the IRE value of each part of the image. In most scenarios, exposure using waveform is sufficient. We all know that the GH series provides videographers with many convenient exposure control tools other mirrorless cameras do not have, such as waveform. If you are not interested in the technical details, you can download the LUT file I have already generated and copy it to the memory card, then use the V-Log View Assists menu on the GH6 to read and use it. GH6 does not have the False Color function built-in, but we can achieve this advanced feature by loading a Monitor LUT (.vlt).
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